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What is
plastic, long, dressed up multi coloured and makes a high pitched noise. No, not
Michael Jackson in his prime, it's the Vuvuzela the much abused yet
overused horn heard at the FIFA 2009 African Confederations Cup.
FIFA and Mr Blatter have been positive about it stating that they are
part of African football culture and its manufacturers defend
criticism of them by stating that 'you only hate them, if you dont
have one'. But then again some manufacturers are hoping that some
500,000 of the things will be sold in South Africa by the time the
World Cup 2010 comes around. So whilst here in Europe we have horns,
flags, jingoistic bands at England games and bagpipes at Scotland
games why has there been the big backlash in Europe about the South
African vuvuzela?
If
you look at South
African football as a whole it is a cultural time shift away from
what you find in Europe. Football paraphernalia on display at the
Confederations Cup ranged from the makarapa
- a decorated miner's helmet, tribal dances, massivly oversized
colourful sunglasses to even a fan with an oversized Oxford English
Dictionary. Almost all of it visually was bizarre, strange and
unsual. The average African football
fan's banner ranged from a pieces of basic cardboard with 'good luck'
slogans on it to the makarapa
helmet being designed with the colour and logo of their favourite team;
'bafana bafana' slogans to the names of favourite SA players. In
Bloemfontein behind one goalmouth saw many fans engaging in dances
involving hand clapping, jumping and singing. Maybe this, some of us
thought, means that the vuvuzela is a Johannesburg only tradition? Alas
not according to FIFA.
But
while
the flag and scarf can never be tagged as being unique to the
European game both the vuvuzela
and the makarapa
would appear to be unique to South African football. But many
pre-season tournament involving South African and Premiership sides take
place in the country and its ususual as to why the use of the horn has
never came to notice previously. So far the
makarapa has escaped almost all of the criticism from dissenters and
instead blasts
of derision from all across Europe and North America have been
launched at the vuvuzela and its buzzing noise. Forums have been full
of uncomplimentary jibes and podcasts have seen journalists analyse its
significance come 2010. One problem is that
although it has been called an 'instrument' its not really being used
as a musical one at games to play any particular tune or song.
Describing the atmosphere in a stadium packed with thousands of fans
blowing the vuvuzelas is difficult to describe as its simply a 'noise'
with no rytham, chord or uplifting beat. Up close it looks fun, would be
appealing to children or drunk fans, but en masse the sound is
more like a massive swarm of very angry bees or a baby elephant stuck
in a turnstile.
Critics
and oppenents of the vuvuzela have already suggested some more
appropriate uses for the instrument. These range from the humerous
such a hearing aid, a walking stick or a 4G mobile communication tool to
the practical and time saving such as a petrol funnel, water sprayer
or artifical rooftop guttering. Moreover some have suggested mixing
the humerous and practical and using the vuvuzela as a light saber
ala Luke Skywalker.
Whilst
there is then some substance to accusations that the instrument is
blown haphazardly, noisily and can be distracting to players and
coaches (both Bert Van Marjwik and Xabi Alonso have spoken out on it)
the man at the top of the game Mr Blatter has spoken out in favour of
the device. We should not try to 'Europeanise' an African World Cup
Blatter has said. This is not Germany, this is Africa where rytham,
dance and rytham 'is the way' says Blatter. And he has a point as
well for if the vuvuzela is outlawed will the brass band of the
'Great Escape fame' that follows England also be banned from games.
If Scotland somehow navigate the groups and a potential play off will
its supporters be banned from using the bagpipe an equally noisy if
more 'musical' instrument?
This
is where the
argument becomes messy and cuts across the official, artificial and
creative line. Essentially the current controversy over the vuvuzela
at the Confederations Cup in South Africa is that it is an
“artificial” noisemaker and not a musical instrument used by football
fans for no other
justifiable reason than it is part of African football tradition. It
is something that
'fits in' with African traditions of dance, rytham and song. However,
this is largely an argument put forward by those commercial bodies
who are mass producing and selling the product of the vuvuzela and FIFA
who are eager to promote an African themed World Cup. But the fact
that it
has become seen as simply a noise and an over commercialised nuisance
leaves many questioning why it is allowed and whether its appearance
at the real event will be worthwhile to the event and other commerical
partners. Will television channels really want this drone to dominate
the event? Will commercial partners who have important marketing
messages to transmit really want to play second best to the all
pervading noise of the vuvuzela? For some the vuvuzela is like cigar
smoke in a restuarant; unwelcome, inappropriate and anti-social.
Whilst there will be a a
shift in the entire base of fan culture come the 2010 World Cup there
will be a worldwide television audience and an estimated 500,000 fans
from other countries travelling to South Africa for the event. Most
of these will be adults used to cultures and supporting streams
completely different to that of the vuvuzela and there in lies the
solution to what could become an irratating problem against the
backdrop of a fantastic event.
Yes, there will be Africans at every
game but the vuvuzela and its use could be sactioned to be used at
only South Africa group matches and not that of every single other
game. South Africa may be the hosts of the event but they are not
represented in every game on the field of play. A game between South
Korea and Australia is as far from an African event as you can get
and for the respective chants of the fan base of these countries to
be drowned out by such an endless, unrythamic noise would be unfair
and shortsighted.
So how does the world of
football deal with the issue of the vuvuzela? Do we simply thank
Sepp Blatter for rubber stamping its use or do we demand FIFA takes
action on the back of fan, player and coach criticism and order that
they be banned on mass?
What
we are dealing with here is not a rattle, the air stick or a scarf or a
banner or a flag. Such fan items have a place in the stadia but they
do not take over everything like the vuvuzela does. People point to
the vuvuzela originally being use by Africans as a 'call to arms' for a
gathering. But a church bell, the air raid horn and the load hailer
was used in Europe for the same reason yet they are traditionally not
allowed 'on mass' inside stadia.
Its
wrong for fans to be dominated and subjected to rules and regulations
surrounding efforts to create or generate 'atmosphere'. Once this
concept starts it tends to lead to increased public disorder as rule
makers, enforcers and supporters clash over what is right andf
wrong. Rather than a simple law that the vuvuzela be 'banned on
mass' FIFA should instead encourage them to be used at South Africa
games only where its use and
appearance would be more acceptable to those at the game and those
watching at home. Cheap selling noisemakers have a place within the
World Cup 2010 but surely it would be wrong for them to be the only
noise remembered come the end of the tournament. Dancing, chants
and other African cultural events are welcome but such an
uncoordinated din of people manufacturing a plastic noise is not what
we want to be the centre piece of the event across every single game. FIFA and Mr Blatter needs to recognise that.
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