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The
thing about the draw for a cup competition is that it is one of the
main events, out with an actual football match, that fans get
incredibly excited about. A disciplinary meeting for a player; the
half-time prize draw or training sessions that are open the public
are mere side shows. When a cup draw approaches though a
different sort of excitement fills the buzz of supporter conversation
whether its a domestic cup or European competition. For the
supporter its a chance to plan trips to exciting away days to places
you have never been.
When
the draw starts people crowd around personal computers and laptops
watching eagerly as new technology, the internet and interactive
platforms bring the draw live from Switzerland or association
headquarters. If you are in a bar rolling sports programmes bring
the draw live, as fans watch on its like excited children on
Christmas eve waiting to see what Santa brings. When your team comes
out those all pervading feelings of anticipation are either replaced
by excitement or flat anti climax. International
football is one of those different things that bring a special thrill
to the minds of the football fan. Its your country against the world
or in the case of the European Championships fellow European foes.
Not every nation gets the chance to participate at the finals of a
tournament. Portugal 2004, Holland/Belgium 2000 or Germany 2006 all
had a special ring to it but not every nation gets to the top of the
pile. That is where the qualifying competitions comes into play.
Two
years time in Poland and Ukraine sees the European Football
Championships come to Eastern Europe for the first time. The
UEFA European Football Championship is one of the world’s biggestsports
event and the most prestigious of all the UEFA competitions.
Following a decision of the UEFAExecutive
Committee in April 2007, Poland and Ukraine were selected to host the
final tournament ofthe
14th edition of the competition in June 2012. 2012
will be the third time that the final tournament will have been
jointly hosted by two countries after Belgium/Netherlands in 2000 and
Austria/Switzerland in 2008. The UEFA EURO 2012™ matches will be
played in eight stadiums, four in Poland - Gdansk, Poznan, Warsaw,
Wroclaw - and four in Ukraine - Donetsk, Lviv, Kharkiv and Kyiv.
For the last time, 16 national teams will compete in a total of 31
matches for the crown of Champions of Europe. The format of the
competition will change for the next final tournament in 2016 to an
increased line-up of 24 participants competing in the final
tournament.

The
UEFA EURO 2012 opening match will take place in Warsaw on 8 June and
the final on 1 July in Kyiv.
But on 7th February 2010 the
UEFA European Football Championship really bursts into life with the
draw for the qualifying competition. With
the host nations, Poland and Ukraine, assured of places in the final
tournament, the remaining 51 national teams will go into the hat to
chase the 14 remaining places and football fans around Europe will
watch eagerly as they find out which country plays which.
For
the purposes of the draw, the 51 contestants are split into six pots
according to the new UEFAnational
team ranking system based on results and goalscoring performances
during the 2006 FIFAWorld
Cup qualifiers and finals the UEFA EURO 2008 qualifiers and finals
and the qualifying round of the 2010 FIFA World Cup. Pots 1 to 5
contain nine teams, while there are only six in Pot 6.
The
teams are drawn into 6 groups of 6 and 3 groups of 5. The nine group
winners and the best runner-up will qualify automatically for the
final tournament while the other eight runners-up will contest the
home-and-away play-off ties which will provide the climax of a
qualifying campaign that runs from September 2010 until November
2011. The draw starts with the teams in Pot 6 being drawn into the
sixth position in Groups A to F. Then the nine teams in Pot 5 will be
drawn into Groups A to I and the suspense will steadily build up
until the groups are completed with the heavyweights in Pot 1.
The
weekend of 6th
and 7th
February 2010 saw the Palace of Culture and Science in Warsaw host
the draw event for the 2012 European Championships. Built
between 1952 and 1955 it is 243 metres high, and it covers a total
area of 123,000 square metres. In 2007, it was included on the list
of historical monuments, as an example of socialist architectural
heritage. For over half a century, its 3,288 rooms on over 44 floors
have performed their functions related to culture, science,
exhibitions, and offices. It is the seat of numerous national and
foreign institutions.
But
whilst supporters watch or listen on during Sunday 7th
February for around an hour into whom each nation will play, a great
many supporters will never have the privilege of knowing what goes on
behind the scenes as regards the planning of such a massive project.
Much of the watching millions see round plastic balls coming out
of a goldfish bowl and matched to groups. However, behind the scenes
weeks and months of planning see the staging of such a large media
event come to fruition. For thousands of football writers and media
professionals access and accreditation has to be arranged. Broadcast
compounds need organised offering pre and post mixed zone access to
coaches and association chiefs. Unilateral camera areas are created
as are strategic photo positions. Commentary positions, media seats,
media work centres and UEFA hospitality are all buzzing areas of work
come draw time.
Over the course of two days Voices in football webzine had
the privilege of attending the draw for Eur0 2012 in Warsaw. As the
great and good of European football gather we give site
visitors a look at what a draw involves behind the scenes from the
UEFA executives, draw ambassadors in attendance to the cultural
events external to the draw taking place. We ook into what
is going on in Warsaw and Poland with the event still two years away
from the stadium developments to the infrastructural developments
that will see Warsaw as the centre of football alongside Kiev in June
2012. Warsaw
Warsaw,
the city that has survived its own death and lived to tell the tale.
These days its populous thrive in a culturally aware city that is
home to over 100,000 students. With cold winters and warm summers it
is currently in the grip of the former with ice packs lining the
sides of streets. At the road sides along the Polish capital
Warsaw's streets the 4ft ice packs the serve as barricades against
the cars that speed past pedestrians on pavements. Shop owners in
the old town emerge from stores with shovels and ice picks eager to
cut a passage through the frozen ice for potential customers and
middle aged women walk around clad in fur coats and hats.
Like
in most countries in Northern Europe ravaged by the winter freeze,
Poland has had to shiver itself warm through the winter months simply
as it has had to do this. Football is in cold storage as well with
stands, pitches and entrances frozen over and incapable of hosting
football. Poland towards the end of 2009 and as the new year 2010
begins has suffered more than most with the temperature seldom rising
above -3.

Along
the main thoroughfare Al.
Jerozolimskie
the communist 'wedding cake' monument the Palace of Science and
Culture stands ambassadorial like over the surrounding streets. To
the north, where the Warsaw ghetto district once stood, the new
financial district now stands making Warsaw one of Europe's tallest
cities. All the familiar High Street chains are around from Mark and
Spencer to Subway; both present day monument to capitalism that the
Palace was not when first built.
At
the Palace, where the the draw for Euro 2012 is due to take place, an
area currently serving as a car park immediately adjacent to the
media entrance has been earmarked as the Warsaw Fan Zone for June
2012. Fortunately by then the snow will have melted and the ice
pack drifting on the Wisla river tom the east will allow pleasure
boats to offer visiting fans a alternative to the football on show
via the large screens.
The
Palace of Culture and Science
The
Palace of Culture and Science was build in Warsaw between 1952 and
1955, to some the monument reminds them of what once was under
communism. To others it is Stalin's syringe and a memory of a
communist age and Polish martial law. Reaching 243 metres high and
covering an area of 123,000 m2.
in 2007 it was included on the list of European historical monuments
as a firm example of the 'socialist architectural' heritage so
evident in the east. For over half a century its 3,288 rooms on over
44 floors have performed functions related to culture, science,
exhibitions and politics.

Nicknamed the 'Russian Wedding Cake' due
to its appearance and background it is the seat of numerous national
and foreign institutions it is the universally visited landmark of
Warsaw since it is by and large the only place where one can admire
the panorama of the capital from the height of 144 meters when on the
observation deck. As mentioned it's not without enemies though with
my guide from PL 2012 telling me that many Warsaw residents would
like nothing better than to see the building torn to the ground due
to its affiliation to Communist Russia. The fact that, should this
ever happen, it will probably be replaced by another 'shopping mall'
means that the palace remains although the changing face of Warsaw's
rich architectural face will perhaps see it one day disappear and
then emerged once they realise a mistake was made.
Media
Activities

Media
activities start early on the Saturday morning proceeding the draw
event held the following afternoon. Media figures, association
representatives and journalists from everywhere from Kazakstan to
Madrid hurriedly queue at the media accreditation zone for the all
important pass that will offer access to the media centre. Offering
breakfast, tea, coffee and buffet lunch the area is open from 8am to
8pm on both days of the draw events but of course not everyone is
lucky enough to get access to the buffet zone. UEFA monitor
journalist and media movements according to an access control system
of entrance and exit. Although mostly all areas with the draw
building including press conferences, flash zones and extended media
facilities are open to all media certain areas such as buffets or
hospitality are restricted to higher profile media invites, artistic
performers and UEFA staff. Thus various members of the media are
numbered on the accreditation pass from 1 to 5. Basically a UEFA
accredited pass with '5' will get you everything you need in terms of
coach access, media facilities and bottled water. But a '3' or '4'
on the pass may offer greater media access to television zones,
technical filming areas, translation box points and of course the
high quality dining areas. The more important or technical your
media role then the more likely you are to get free catering.
Similarly though, UEFA helpers are also free to enter the dining
areas for sandwiches or drinks.
Media
representatives usually can collect their accreditation from the
accreditation centre on the day or morning proceeding the draw event.
Media accreditation gives access to the media working centre
including the press conference room. A press welcome pack is handed
out which contains UEFA Euro 2012 event guide, a pen, stickers,
leather bound reporters book and tournament regulations pack. Its
not the Academy Awards and there is no gold watch but the quality of
the branded products indicate the 'five star' nature of the event.
As far as the actual draw hall is concerned, a supplementary
accreditation device (S.A.D) is required to access areas such as the
media tribune, photo positions, draw hall camera positions and the
flash zone.

You
may ask yourself where accreditation stems from and whom could apply.
Generally all qualifying press and media gain access to UEFA events
through registration through the UEFA F.A.M.E platform. Invites to
suitably registered media are issued out and journalists, editors and
media apply through the platform. UEFA and its accreditation team
then verify applications and electronic invites are issued out with
respect to key information about the specific event. With the world
of media communications now moving onto a new age with modern
newspapers and press often playing second fiddle to the internet, so
the inclusive nature of those media attending has expanded from
newspaper writers to website reporters and editors from across the
globe. Where once attendance at such events may have been open to an
exclusive few this is now no more. Moreover, with the event live
many newspapers suffering from a drop in sales and circulation choose
instead not to send chief reporters to the event as they once always
did. What often happens is that prominent freelance writers
affiliated to sports press agencies will cover the event, interview
and film and issue back print or image to newspapers back home. This
'cost effective' means of news collection is trustworthy, time saving
and of course reliable. Many freelance writers are also
'multi-media' men. Where once a writer may have been attached solely
to one newspaper, now he may offer stories, words and print to a
multitude of websites, television, newspapers and blogs.
Inside
the Palace on the day prior to the draw the media working zone is a
busy area like an office on a peak productivity drive. Cameramen,
journalists famous and not so famous from ESPN to The Sun huddle
around PC's and laptop work stations offering super fast broadband
access. Whilst the dress code for UEFA representatives will be
smart, professional suits and immaculate hair the code for 'the
journalist' is somewhat different. Whilst a small number appear
dressed as news readers or a weatherman the rest look as if they have
just dropped out of bed after a late night on the town. Unshaven,
training shoes, tousled hair and ill fitting jeans are the name of
the game. The scene though is global and all around can be heard a
mix of accents from Russian to Spanish and Portuguese. Free drinks
such as orange juice and Coca Cola is available but beer is not
available for free until after the draw event.

On
the Saturday it's getting a feel for your surroundings for the
following day and a chance via marketing literature to get one eye on
the main event and venues in two years time. On Saturday at 11.30am
there is an exclusive tour for media around development projects
ongoing in Warsaw. PL2012 a semi autonomous government body have
arranged a tour of Warsaw Infrastructural projects ongoing within the
city. Outside the city centre Novotel the coach and PL2012 staff
pick us up and we set off on a tour of the construction shell that is
the new Polish National Stadium which will be 'Stadion Narodowy' some
2.5km outside the city centre. At the stadium a camera crew from Sky
Sports News are waiting for the coach so that access can be provided.
The reporter Brian Swanson is recording a screen shot with the
backdrop of the stadium shell behind.
The
stadium site manager welcomes us to the zone and a tour of the site
ensues via the site manager. A range of construction workers mostly
from Poland and the Ukraine are busily at work and fires burn as
grinders sound and hammering ensues inside as the all important
structural bones of the stadium are laid. The shell of the newer
stadium builds on the shell of the former communist Stadion
Dziesięciolecia
once
a venue for communist party events, Polish national team games and
state occasions but essentially the new ground starts from scratch.
The
new national stadium lies at the heart of a prominent Warsaw district
called Praga. An artistic district the stadium will be a key
milestone and landmark in a rejuvenation project of one of the most
residential and historical parts of town. At the moment the opening
of the stadium is due to occur in May 2011 and according to the guide
everything is on track. Praga contains many building indicative of
how Warsaw 'used to look' pre 1939. Film directors use the district
for filming activities in an effort to show just what pre-war Warsaw
would have looked like without having the need to create sets from
scratch.

After
the stadium we adventure to the Mtociny transportation exchange
point. Although Warsaw 'currently' has the infrastructure to host
such an esteemed event the most important junction in Warsaw is
being upgraded to allow wider transportation links and motorway
upgrades to link Warsaw with the West and the rest of Poland more
effectively. Poland currently has
800km of motorway but by 2012 this will be extended to 1800km of
motorways. These factors alone will ensure that improved rail and
road journey times can be achieved between host venues dotted around
Poland.
Outwith
the host cities of Gdansk, Warsaw, Wroclaw and Poznan there are also
set to be a further 15 base camps around Poland for the visiting
qualify teams all which will offer training facilities and tactical
preparation. Amongst stadiums earmarked include those of Legia
Warsaw, Widzew Lodz and Wisla Krakow.
The
local authorities in Poland hope that the developments will serve as
a catalyst of social change for the Polish populous after the event
has ended and serve during the tournament as a means of national
pride, energy and self esteem reaffirmation. With Poland lying
strategically close to Germany the organisers of the event can see
the positive effect the World Cup 2006 event had on the German people
nationalistically. Like in the Bundesliga system where crowds and
an interest in football has grown tremendously in a footballing
product post 2006, so optimism reigns as to the extent to which
Poland can thrive on and off the field after the event. A great deal
of questions though still surround a 'cost effective' stadium concept
in Poland and the spectre of a post tournament 'white elephant' elite
club ground.
Two
teams Śląsk Wrocław and Lechia Gdańsk are due to move into newer
stadiums being built for the Euro event. In Gdansk
the current Stadion
Lechii ground holds under 13,000 whilst the newer
ground will be the PGE Arena and will have a capacity for about
44000 people. Meanwhile, in Wroclaw the resident club Śląsk
Wrocław currently play at the tiny Oporowska a 10,000 seat ground.
Both of the these teams regularly attract under 10,000 to Polish
league games on a weekly basis so it remains to be seen the extent to
which the newer modern facilities will serve as a catalyst for
increased attendances.
With
the Polish game blighted in recent years by sporadic fan violence,
racism and crumbling facilities the current centre right modernising
Polish government are very keen to install a newer mindset in the
national consciousness with respect to following football and in
particular getting behind the national team. Fan projects are going
on in an attempt to improve the mindset of fans and get the whole
country behind the team as 2012 gets nearer.
The
official logo for the championship was presented to the world on 14
December 2009 and is dotted around the draw centre. It takes its
visual identity from Wycinanki, the traditional art of paper
cutting practised in Poland and rural areas of Ukraine. The logo has
a flower that represents both the host nations and a ball in the
centre symbolising the emotion and passion of the competition. The
stem shows the structural aspect of the competition, which is UEFA
and European football. In the centre of each flower and the ball,
is a figure of a person that has its arms up representing joy and the
excitement of the competition. Nature has also inspired other
features of the logo, with woodland green, sun yellow, aqua blue, sky
blue and blackberry purple being the crucial tones of the palette of
colours to figure in the official tournament branding. Essentially
then Poland 2012 wants to merge newer stadium property with important
messages for fans through branding, solid intellectual property and
message affirmation similar to Germany's 'A Time to Make Friends'
message and associated branding logos in 2006.
Saturday
6th
February: Press Conference at Palace of Science and Culture
As
the draw event nears a press conference takes place the night before.
Present are Robert Faulkner, Gianni Infantino, Michel Platini and
Martin Kallen. A statement beneath them states in English, Ukrainian
and Polish 'Creating History Together' or 'Razem Tworzymyy' and
'Створення
історії разом'
in Ukrainian the motto of the tournament in three languages.

The
conference is well attended and the flash of cameras is almost non
stop from the opening words. Translation devices are available and
translators are housed in mini-shed areas similar to a Wimbledon
commentary booth looking onto centre court. Clarification is
provided of Ukrainian venues and confirmation of whom the ambassadors
are for the event. There is then some tournament information with
confirmation provided that Russia would not play Georgia and
Azerbaijan would not play Armenia in the qualifying rounds.
The
floor is then opened after 10 minutes of announcement to the
collected media. The media are asked to name themselves and whom
they represent. Probed by English media UEFA President Michel
Platini confirmed that there still remained unanswered questions
about hotels and road infrastructure in Ukraine. Then UEFA was asked
as to the decision with respect to possible Russia and Georgia
match-ups. Specifically, some journalists asked as to why politics
and sport were being mixed. The response from Platini was clear and
firm when he announced that a pragmatic approach was required to
possible fixture match ups particularly with relevance to nations who
have a history of refusing to play each other.
Then
mention was made of the exclusion of Krakow as a host venue from the
tournament. One Ukrainian journalist felt this was similar to Spain
hosting the tournament and Barcelona not being used. Platini's reply
was that reserve venues were required should other possible venues
not meet standard and this is where Krakow would remain.

Prominent
British journalist Andrew Warshaw then asked Platini two specific
questions with respect to the ongoing problems Capello was
encuntering with his captain John Terry. Incredibly, Warshaw posed
the question as to whether the 'sex scandal' was 'overshadowing the
event'. Rather more cryptically although with reference to
personal problems he experienced, Platini was then asked if the role
of the captain should conflict with off-field issues. Brushing off
the questions, Platini simply responded that the John Terry issue was
'none of his business'.
The
final questions referred to refereeing issues - such as criticism of
the choice of Martin Hansson as a UEFA referee for the 2010 World
Cup. To questions as to why some coaches were not attending the
event, most notably Marcello Lippi and Raymond Domanech.
Draw
Day
On
the morning of the draw the temperature in central Warsaw seems to
have dropped a further couple of degrees and it's around -9 outside
the Palace. Outside a mass of media men, camera crews, journalists
and news reporters surround the event venue where a red carpet has
been rolled out. With the draw being held at 12 noon local time its
10.30am when coaches and association chiefs start to appear. Very
suddenly the coaches, chauffeur driven cars and taxis with draw
dignitaries inside slowly begin to appear and they emerge to flashes
of the camera and flying questions.

Capello
arrives alongside Otto Rehhagel the Greece national side coach and is
followed out of the luxury coach by Joachim Low and Oliver Bierhoff
of Germany. All these coaches had been staying at the city centre
Radisson Hotel near the draw venue. Back inside, the mixed media
working room is alive with work and there is barely a seat or
internet terminal point left to be had. Journalists are required to
be in the draw hall by 11.45am to see the draw live or alternatively
those not wishing to attend can choose to watch the draw unfold from
behind the laptop via nearby plasma screens and produce copy or relay
live to radio as the teams are drawn. The interiors of the venue
itself is rather cramped and there is little room for laptops, rather
photographers with large telescopic lens cameras dominate space.

As
the clock ticks to 11.55am the space feels like an opera house about
to commence and a buzz of excitement is within the draw hall as it
slowly fills. Member association coaches and executives hug,
embrace and shake hands and take to clearly named seats. As the
clock strikes midday the presenters of the event emerge and the
lights dim. Soon after we are introduced to event ambassadors
Szamarch, Boniek, Shevchencko and Blokhin and a statement is made by
the Prime Minister of Poland Donald Tusk who then takes a seat beside
Michel Platini.

A
large theme of the event is the celebration of 50 years of the event
going back to the victory of Russia in the first ever European
Championships. A number of clips are shown of previous tournaments
through the years accompanied by the music of Frederic Chopin. There
is then a more modern feel with the appearance of a youthful looking
dance troupe who sing through a range of previous Championship songs.
Above the draw is a massive HD plasma screen replying the events and
by 12.25 the draw is ready to commence.
Post
Draw Mixed Media Zone
With
the groups decided media from within and out with the draw hall rush
to interview coaches and association chiefs to get reaction to the
draw. The scene is a little like being back stage at a television
event or film premier with camera crews, journalists, digital voice
recorders and journalists everywhere. Each group is split with a
curtain with a platform for coaches to speak on available. Coaches
and association chiefs can then mingle with the gathered press and
give thoughts on the potential fixtures and possibilities.

Around
the Group G zone Fabio Capello appears and is met with what can only
be called a media scrum who are eager to throw questions about John
Terry rather than the draw itself. Looking business like and
authoritative, Capello fends off all questions on Terry and is
watched over by Adrian Bevington the FA's Director of communications
who plays a key role at the centre-point of liaising between
collected media, TV crews and Fabio Capello. He is almost
protective like and watchful of those gathered. With microphone
thrusted at him from all angles, Brian Swanson from Sky Sports News
asks Capello “Just what can Rio Ferdinand bring to the Captaincy?”
only for Fabio Capello to dismiss the question with “I am only
going to talk about the draw.” Pressed further Sean Custis from
The Sun suggests to Capello that “People back home want to know why
Terry was sacked” only for Capello to be ushered out of the media
scrum by Bevington. A crowd of media then amble away looking
disappointed and set off eager to “track him down” and get
answers.

Certainly
the English media journalists had not got what they wanted but
interviews continue with coaches of the various teams from Guus
Hiddink to new Scotland coach Craig Levein who appears very nervous.

By 2pm most coaches have got flights to catch and so many questions
have been answered that I try for one last time to question Guus
Hiddink on whether there is any substance to whether he may be
approached by the Nigerian national team. All I get is a blunt “I
am the coach of Russia, not Nigeria” and with that its back to the
media zone and a chance to view my photos and edit video clips from
the event. The media zone is hectic and busy with productivity and
deadlines the key for almost everyone.
Postscript
With
the main event in Ukraine and Poland still over two years away its
true that the football world has its mind, focus and energy
elsewhere. As South Africa 2010 gets nearer by the month all of the
top coaches of the successful world cup qualifying teams have far
more greater priorities ahead with the draw in Warsaw simply a
pencilled in diary date rather than a key milestone in the football
season.
However
much UEFA trumpet the first ever major tournament to be held in
eastern Europe there is no getting away from the fact that the focus
of attention of the world is still very much on South Africa and the
World Cup 2010. Moreover, with the John Terry scandal still only a
few days old many English journalist were all too keen to question
England coach Fabio Capello on these matter rather than speculate
about the future match ups with Bulgaria, Switzerland, Montenegro and
Wales.

For
a couple of days at least from the morning of media accreditation to
when the first ball was plucked out of the first goldfish bowl in
Warsaw's imposing Palace of Culture and Science the World Cup was on
the back burner. If anything the 2012 event still feels at a
foundation 'concept' stage despite being just over two years away.
It is not until the world Cup is over and the qualifier start that
implementation of the whole event can take shape.
Poland
showed though that it is well equipped to hold the event, although
the minimalistic nature of the part Ukraine played in the first draw
event – out with the appearance of Andrei Shevchencko and Oleg
Blokchin – would suggest that the draw event for the actual finals
in Kiev December 2011 may see the Ukraine being allowed to impose its
finals façade a little more forcefully than the Poles. This is
especially so as Kiev hosts the final in June 2012 and there will be
no World Cup on the horizon. By 2012, of course, the same journalist
will be around as will Mr Platini and the football world will have
possibly a new owner of the World Cup Trophy. It's also entirely
possible that by June 2012 England will have a new captain although
whether he will turn out to be winning one is really open to
question. Submitted By Editor (Damon Main)
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