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11mm
Fußballfilmfestival Berlin April 2009
Interest
in the former East German state around the world has possibly never
been higher and more widespread. The general devlopment of an
interest in movies such as Goodbye Lenin! (2003), Berlin is
in Germany (2001) and the highly successful The Lives of
Others which won an Academy Award for best foreign langauge film,
is evidence enough.
Football
in the former East Germany has faced the same issues that most people
from the former East have encountered since post-unification Germany
became a reality. Like people, business, cities and
towns the clubs have had to regain a firm footing amidst the
geographic, political, and cultural displacements of Berlin and the
wider East Germany in the 1990s. Today the only club
from the former East Germany who play regularly in the Bundesliga are
Hansa Rostock and even then the club has struggled to retain its
place each season regularly dropping down to the second tier
2.Bundesliga.
Traditional
East German footballing gaints such as Dynamo Berlin, Lokamotiv
Leipzig and Dynamo Dresden have has sporadic success in the unified
Germany but aside from the Dresden club the other two are now shadows
of former instituations. With Liepzig hosting the DFB and
operating as a venue for the 2006 World Cup event the same cannot be
said for the East German teams. Where as prominant East
Germans such as Ulf Kirsten, Andreas Thom, Matthias Sammer and
Michael Ballack have forged a forefront role for themselves as part
of the new Germany, team success is a thing of the past. It may be
some time before BFC Dynamo or Dynamo Dresden find themselves
celebrating success at the pinnacle in Germany and never again in
European competition. Despite
the secrecy, isolation and censorship in East Germany the movie
industry centred on East Berlin had been very active pre-1989. Berlin
Television and wider radio channels in East Germany were effectively
state controlled bodies yet whilst football came under the same
secrecy and state ties football was considered as a means of
fostering international acceptance of the GDR as a state in its own
right. Yet because of censorship a certain number of very remarkable
movies were forbidden at this time and these were not reissued or
explored further until after 1990.
As
The Lives of Others explored so skillfully explored a highly
effective secret police force called the Stasi had infiltrated and
reported on most private activity including football in East Germany.
As well as limiting opportunity for non-sanctioned political
organisation it censored literature, artistic expression and as
history now tells us ensured that matters on and off the field were
seldom fair and without corruption.
Berlin's
contribution to the annual film festival diary is well known around
the world. The annual Berlin
International Film Festival
held each year in February is amongst the most popularly attended
anywhere and ranks as one of Germany's top media events.
Two months on though and April in Berlin saw the sixth edition of the
11mm Fußballfilmfestival take place at the Babylon Cinema in
Mitte in Berlin. With an inquistive interest in the former East
Germany still very much alive many took the opportunity to visit
Germany and revel in the themes of footballing Ostalgie (“Eastalgia”)
that the festival offered.
The
event screened a number of films and football shorts which had as a
central theme issues concerning football in the former East Germany
(GDR). Many of he teams in Eastern Germany had interesting
names. East German clubs used prefixes which made reference to
the industrial landscape of the area such as Chemie (chemical
industry), Union, Aufbau (construction), Stahl (steel), Lokomotive
(railways), Wismut (ore mining), Empor (meaning “upwards!”),
Vorwärts (“forward!”) and Rotation (derived from “rotary
press”). The fans that followed the prominent teams
such as Dynamo Dresden, BFC Dynamo and 1.FC Magdeburg were also known
for aggressive fan groupings with skinheads and poltical motivations
common.
With
many of these clubs now playing in the lower reaches of the German
football structure it is often forgotten that these clubs, despite
East Germany's isolation, had track records of success in cross
European footballing competition. 1.FC Magdeburg were winners of the
European Cup Winners Cup in 1974 beating AC Milan in a Rotterdam
final. This track record of success lasted through to 1987 when
Lokamotiv Leipzig contested the final of he same tournament before
eventually losing to Ajax.
The
nostalgic attraction to the former East Germany is still experienced
through those who follow these clubs but the festival itself gives
scope to a wider interest in both cinema together with football
playing or watching in the former country. This comes together
in an attempt to show that GDR footballing rivalry really existed
during isolation. Movies such as Und Freitags in die Grune
Holle (And Fridays in the “Green Hell”) shown with 20
Jahre nach der Hölle (Twenty Years in Hell) express an East
German football landscape with roots in the East German federation of
trade unions.
One
club of such fame 1. FC Union Berlin cultivated a fierce cross East
berlin rivalry with the Stasi-backed Dynamo Berlin. Such was the
impact of the original documentary about 1.FC Union it could only be
shown in cinemas after former GDR General Secretary Erich Honecker’s
resignation in Oct 1989. In the 20 Jahre movie the
directors revisit Union Berlin supporters, who still bond over the
club anthem, “Eisern Union,” popularized by German punk songs.
From
a fans perspective, Verzeihung, sehen Sie Fussball? roughly
translated as Excuse Me, Are You Watching the Football? is a 1983
film which shows a slice of everyday life and living as a football
watching citizen in East Berlin. It explored residents in five
tenement flats preparing to watch the 1982 World Cup final, Italy v.
West Germany.
The
great variety of films screened at 11mm Berlin Football Festival
shows the social and cultural background of the sport in what is now
a defunct country swallowed up by the unified Germany. The many moves
and shorts express that at different places and times football can
still mean the norm. Themes from state rebellion, wealth and poverty,
camaraderie and fanaticism as all explored across the movies. The
festival is also accompanied by film talks and question & answer
sessions with directors and actors. Discussions with footballers,
managers and referees as well as a cultural programmes including
readings, exhibitions and installations are also involved.
HB visited for V.I.F©
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